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291

 ROSÁRIO, Frei Diogo do, O.P. (trad.)- SVMMA | CAYETANA TRESLADADA | em Portugues, com muytas Annotações, & casos | de consciencia, & Decretos do sagrado | Concilio Tridentino: | Pollo Padre Frey Diogo do Rosayro, da ordem de | São Domingos, Por mandado do muy Illust. & Re | uerendiss. Senhor Dom frey Bartholamau dos Mar | tyres, Arcebispo & Senhor de Braga, rimas das | Espanhas, &c. | [gravura] | ¶ Foy vista & examinada...- Impressa em Coimbra: por Antonio de Maris, Anno 1573.- [12], 442 f.; 14 cm.- E.
The Dominican Fr. Diogo do Rosário, born in Évora, was prior in the convent of Guimarães, the city where he died in 1580. Fr. Diogo Diogo had a close relationship with D. Fr. Bartolomeu dos Mártires who commissioned him to publish a new legendarium (Braga, 1567) which was reprinted several times, as well as the translation of the “Summa Caietana”, by the Dominican exegete, theologian and Italian cardinal Tommaso de Vio (1469-1534). In fact, at least six Portuguese editions of the Rosarian translation of the “Summa” are known (Lisbon, 1557, 1560; Coimbra, 1566 and 1573; Braga, 1565 and 1566), the present one being probably one of the rarest, since there is no copy in the National Library or in the Biblioteca de D. Manuel II. Copy slightly cropped, with some restorations on the title page, slightly affecting the text on front and verso; Minor restorations on subsequent leaves. Binding from the 20th century (probably from the workshop of Mestre Império Graça), with blind tooling on the covers and spine. Anselm, 863.

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294

 MARCOS DE LISBOA, Frei, O.F.M.- PRIMEIRA | PARTE DAS CHRO | NICAS DA ORDEM DOS FRA- | DES MENORES DO SERAPHICO PADRE | Sam Francisco, seu instituidor, & primeiro | Ministro geral : | que se pode chamar | Vitas patrum dos Menores. | [gravura xilográfica] | Copilada & tomada dos antigos liuros & memoriaes | da ordem, per frey Marcos de Lisboa frade Menor, | da prouincia de Portugal. &c. | Impressa com licença do conselho geral da | sancta Inquisição, & do Ordinario. |1587. |A custa de Ioam de Espnha | & Miguel de Arenas | Liureiros.- [No final] Foy impressa em Lisboa, per Antonio Ribeyro, Anno de 1587.- [12], 248 f.; 26 cm.- E. Junto com: -----.- PARTE SE- | GVNDA DAS CHRONICAS DA | Ordem dos frades menores & das ou | tras orde[n]s segunda & tercei | ra, instituidas na igreja | per o sanctissimo Pa | dre sam Fran | cisco. | [...] | ¶ Nouamente copilada & ordenada dos anti- | gos Liuros & Hystoriadores & memoria | es da ordem, per frey MARCOS de Lis- | boafrade menor da prouincia de | Portugal da obseruãcia, peraglo | ria de nosso Senhor & de se- | us sanctos, & edificaçam | das Almas. | ¶ He repartida esta parte em dez Liuros pera | mays clareza da Hystoria. | ¶ Com priuilegio. Vendese a quatorze | vinte[n]s e[m] papel, e[m] casa de Ioã de Borgonha.- [No final]: Lisboa em casa de Ioannes Blauio, [1562].- [6], CCLXXXVI f.; 29 cm.- E.
Fr. Marcos de Lisboa OFM, (1511-1591) was a chronicler of the order and accompanied King D. Sebastião in 1574, on his first journey in Africa; later (1581) he became bishop of Porto. His «Crónicas da Ordem dos Frades Menores», achieved great editorial success, as for the 16th century alone we have news of four editions in Portugal, seven in Spain and about 17 in Italy (of its various parts). Complete set, consisting of two volumes of different editions. The first was printed by António Ribeiro in 1587 (the only volume published by this printer); the second, almost entirely composed in gothic characters, was printed by the German João Blávio de Colónia, in 1562, and the same printer also published the first volume (first part), in 1557, which is not included in this set. Slightly trimmed volumes, with slight browning and occasional minor stains; Title pages with Livraria de Alcobaça stamps covered with paper patches; both title pages, slightly used, with reconstructed margins and two antique ownerships. Bindings from the 18th century(?), full sheepskin, identical, slightly worn, with traces of wormholes. Initials F.I.M. engraved in gold at the foot of the spine of the first volume (and possibly the second, with a small flaw in the same place). Anselmo, 975 and 319. Biblioteca Nacional (16th century), 479 and 476. Biblioteca de D. Manuel II, 281 (for the 2nd and 3rd parts, not referring to the edition by António Ribeiro).

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297

 DEBRET, Jean-Baptiste.- Voyage pittoresque et historique au Brésil ou séjour d'un artiste français au Brésil depuis 1816 jusqu'en 1831 inclusivement.- Edição comemorativa do IV Centenário da Cidade de São Sebastião do Rio de Janeiro.- Rio de Janeiro: Comemorações do IV Centenário, 1965.- 3 vols.: il.; 55 cm.- B.
Jean-Baptiste Debret (1768-1848), French painter and draftsman, lived in Brazil between 1816 and 1831, where he was a painting teacher, eventually becoming director of the Imperial Academy of Fine Arts. Back in Europe, between 1834 and 1839, he published in Paris his monumental «Voyage pittoresque...», illustrated with 153 hand-coloured engravings. This is the facsimile edition, printed in Tokyo, limited to 1003 copies (this one with number 978), based on the original edition, of what many consider the most beautiful book on Brazil. The first volume includes, in addition to a portrait of the author and a map of South America, 36 prints reproducing the lithographs, which mainly represent indigenous customs. The second volume features 49 reproductions (some doubles), a map and a plan of Rio de Janeiro. The third includes 54 prints and a facsimile of a letter from the Emperor. The prints of the last two volumes represent, predominantly, urban scenes. Very clean brochure copy, keeping its original cases intact, with bone clasps.

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298

 PINTO, Fernão Mendes.- HISTORIA | ORIENTAL | DE LAS PEREGRINACIONES | DE FERNAN MENDEZ PINTO | PORTVGVEZ, ADONDE SE ESCRIVEN MUCHAS, Y | muy estrañas cosas que vio, y oyó en los Reynos de la China, Tartaria, Sornao, que | vulgarmente se llama Siam, Calamiñam, Peguu, Martauan, y otros muchos | de auellas partes Orientales, de que en estas nuestras de Occi- | dente ay muy poca, o ninguna noticia. | ... | TRADVZIDO DE PORTVGVES EN CASTELLANO POR EL | Licenciado Francisco de Herrera Maldonado...-En Valencia: En casa de los herderos de Chrysostomo Garriz, por Bernardo Nogues, 1645.- [24], 482, [9, 1 br.] p.; 29 cm.- E.
Third Spanish edition of “Peregrinação”, published before the second Portuguese edition, printed in Lisbon, in 1678 (the first two Spanish editions were published in Madrid, in 1620 and 1627). Fernão Mendes (1510/14-1583) left for India in 1537, having stayed in the East for around 21 years. The “Pilgrimage”, a fantastic account of his troubled adventures, was originally published on the initiative of Fr. Belchior Faria, 31 years after his death (Lisbon, 1614), from the original manuscript bequeathed by the author to Casa Pia dos Penitentes. The first three preliminary pages correspond to the title page, licenses and dedication. In the fourth begins the «Apologia en favor de Fernan Mendes Pinto, y desta Historia Oriental», authored by the translator, Francisco de Herrera, and extending over 16 pages. Then the «Catalogo de los avtores qve han escrito de las Indias Orientales, Iapon, y China, y de sus situaciones, nauegacion, y conquistas». The work begins in the following. In the end, there is the «Tabla de los capitulos...» and, on the last page (with a blank verso), the colophon. Slightly handled copy, with slight browning and occasional stains; outer margin of the first and last two leaves with some restorations, without affecting the text; some inscriptions of ownership, faded, on the title page. Contemporary binding, full flexible parchment, a little worn, with new endpapers and bindings. Inocencio, II, p. 289. Samodaes, 2074. Palau, 163204. Leite de Faria, 27-4.

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299

 SOUSA, Manuel de Faria e.- ASIA | PORTVGVESA. | TOMO I. [II & III] | DE MANUEL DE FARIA, Y SOUSA | Cavallero de la Orden de Christo, | y de la Casa Real.- Lisboa: En la Officina de Henrique Valente de Oliveira, 1666-1675.- 3 vols.: il.; 29 cm.- E.
First edition of one of the most emblematic works of Manuel de Faria e Sousa (1590-1649), poet, humanist and historian, born in Felgueiras. Complete copy, with the following 19 separate engravings (in the first volume copperplate ones, the rest xylographies). Volume I: Saint Helena, Cochin, Quiloa, Cananor, Sofala, Goa, Malacca, Hormuz, Chaul, Vasai and Diu. Volume II: Mozambique Island, Daman, Manar, Mangalor, Onor and Bargalor. Volume III: Muscat and Macao. The collation of each volume is as follows: I - [32], 396, [42] p; volume II - [8], 968, [2] p. III - [8], 564, [6] p. The three volumes also feature three engraved frontispieces and numerous copperplates prints and xylographies, integrated into the text, representing viceroys and other historical characters. The third volume includes the rare final sheet of errata (with a small restoration in the upper outer corner, slightly affecting some lines) which is missing from some copies. Title engraved from volume I, restored and mirrored, with the lower outer corner reconstructed; last leaf with minor restoration. The three slightly trimmed volumes, with slight browning and occasional minor stains, keep all the engravings very fresh and well folded. Old manuscript ownership in the Title of volume I: Da Congraga[çam] do Oratº do Porto. Recent bindings, full stiff parchment, with the title handwritten on the spines. Inocêncio, V, p. 416. Auvermann, 493. Arouca, S 530, 531 and 532.

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305

 MACEDO, António de Sousa de.- LVSITANIA LIBERATA | ab Injusto Castellanorum dominio. | RESTITVTA | Legitimo Principi, Serenissimo JOANNI IV. Lusitaniæ, | Algarbiorum, Africæ, Arabiæ, Persiæ, Indiæ, Brasi- | liæ, &c. Regi Potentissimo. | Summo Pontifici, Imperio, Regibus, Rebus-publicis, cæterisque Orbis Christiani Principus | DEMONSTRATA...- Londini: In Officina Richardi Heron, 1645.- [30], 794, [22] p.: il.; 29 cm.- E.
First and only published edition of one of the most important titles of the Restoration. The work, of exceptional graphic quality, is illustrated with the following 14 copper plte prints, all of them, with the exception of the title, printed next to the text: 1 - Portrait of D. João IV (f.1v); 2 - Allegorical title (between f. 1 and f.2); 3 - Lusitana (f. A2v.); 4 - Portrait of Count D. Henrique (p. 58); 5 - Apparition of Christ to King D. Afonso Henriques (p. 93); 6 - Portrait of King João I (p. 143); 7 - D. Manuel I, lying down, with family tree (p. 165); 8 - Phoenix Reborn (p. 470); 9 - Dragon curled up at the foot of a fruit tree (p. 542); 10 - King D. João IV on the throne (p. 560); 11 - King D. João IV on horseback (p. 650); 12 - Brigantine winged wyvern on a globe (p. 708); 13 - Coat of Arms of Portugal (p. 764); 14 - Allegory of Fame on obelisk (p. 792). Copy slightly handled and cropped, with slight browning. Mirror portrait of D. João IV (with free endpaper), with marginal imperfections; some engravings cropped by the matrix crease. It is, however, complete, with all the engravings, including the first one which is missing from most of the copies, exactly matching the description of Maria da Graça Pericão, in the catalogue of the Viscount da Trindade collection (220). Rare heraldic ex-libris of Ignazio Zanardi della Virgiliana (1695-1773), Venetian count of the Holy Roman Empire. Full sheepskin binding, with new endpapers and rebuilt spine. Palha, 2956. Samodaes, 3264. Bibliographic Exhibition of the Restoration, 1461.

euro_symbol€ 800 - 1,200 Base - Estimate

gavel€ 1,300Sold

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309

 [L'EVEQUE, Henry].- Campaigns of the British Army in Portugal, under the command of General The Marquis of Wellington, K. B. Commander in Chief, &c &c. Dedicated by permission to His Lordship.- London: printed by R. Juigné, and published (for the proprietor) by Messrs. Colnaghi and Co., 1813.- [6], 18, [2, 1] p.: 1 retrato, 18, 1 gravuras; 57 cm.- E
Henry L'Évêque (1769-1832), born in Geneva, a painter, miniaturist, watercolourist and above all an engraver, was part of a group of artists who, following the French Revolution, wandered around Europe accompanying armies in campaign, recording for the posterity the most famous battles of the Napoleonic wars. Complete copy of the second edition, of the variant with the word “Marquis” on the title page (instead of “Earl”), consisting of a title page, a dedication and a list of subscribers; 18 pages follow. with the introduction and descriptions of 17 prints, plus a sheet (2 p.) with the description of the first print (embarkation of the royal family to Brazil). The following are the illustrations: engraving and etching portrait of Wellington, standing, dated 1815 and 18 engravings, in accordance with the descriptions, starting with the embarkation mentioned above. At the end, a double engraving (Plan of the battle of Albuera) and a description of the latter engraving, with the title “Reference” and a large allegorical vignette. These two smaller double sheets are not described in the bibliographies and catalogues consulted. Copy slightly dusty and with slight browning; the engravings retain good margins. Symbolic ex-libris of Abel d'Andrade. Simple contemporary half-binding(?), with leather spine and corners, slightly worn. Duarte de Sousa, 139.

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312

 VIVIAN, George.- Scenery of Portugal & Spain / on stone by L. Haghe.- London: P. & D. Colnaghi,; Ackermann, 1839.- [35] litografias em [31] folhas; 54 cm.- E.
George Vivian (1798-1873), English architect, draftsman, painter and art critic, traveled throughout Europe for 30 years, staying especially in Spain, Portugal, Italy, Greece, Scandinavia and Russia. The edition, entirely lithographed and considered one of the most beautiful books ever published on the Iberian countries, was originally published in fascicles, so the number of plates may vary from copy to copy. The present is complete, matching exactly the respective index, also lithographed, that is, it consists of 35 lithographs gauffered on 31 sheets, three of which are preliminary sheets (title page and list of drawings), 27 sheets with 30 lithographs (the plates 19/20, 29/30 and 33/34 are double) and a final plate (tail piece). It should be noted that, of the 35 lithographs, 27 represent locations in Portugal. At the end, two sheets (3 p.) with the publisher's publicity, which do not belong to the edition. Clean copy, preserving all plates very fresh (no separators), covered in good recent binding, entirely in green morocco (probably from the workshops of the Ricardo Espírito Santo Silva Foundation), with gold ornamental borders on the covers, smooth spine profusely gold decorated, double “filet de coupe”, rolls on the squares and gilt edges; protective case. Palau, 372196. Duarte de Sousa, 746.

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313

 PEDRO, D. (Conde de Barcelos).- NOBILIARIO | DE D. PEDRO | CONDE DE BARCELOS | HIJO DEL REY D. DIONIS | DE PORTVGAL. | ORDENADO Y ILVSTRADO | COM NOTAS Y INDICES | POR IVAN BAVTISTA LAVAÑA | CORONISTA MAYOR DEL REINO | DE PORTVGAL.- En Roma: Por Estevan Paolinio, 1640.- [14], 402, [36] p.: 1 gravura; 40 cm.- E.
D. Pedro, Count of Barcelos (1287-1354), the natural son of King D. Dinis I, a prominent figure in the peninsular medieval culture. We owe him the compilation of songs by Galician-Portuguese troubadours, the «Crónica Geral de Espanha», from 1344 and the «Livro de linhagens», whose Livro Quatro or Nobiliário can be found here in its rare original edition (the second one was published in Madrid in 1646). The four parts of the «Livro de linhagens» (only fragments of the second and third books have survived) were only published in the 19th century, by Alexandre Herculano, in the collection «Portugaliae Monumenta Historica, série Scriptores». The structure of the copy is developed as follows: 1 - Half-Title(1 f.); 2 - Copperplate print allegorical title (missing, reproduced in photogravure); 3 - Title page (f. [+1]); 4 - Text «Al lector», signed by the printer Estevan Paolinio (f. +2);5 - Dedication to Manuel de Moura Corte-Real, 2nd marquis of Castel Rodrigo, signed by Juan Baptista Lavanha (f. +3 to +4 [blank verse]); 6 - Prologue by Count D. Pedro (f. +5); 7 - Index of Titles I, II and III (f. +6); 8 - Text, beginning with paragraph 16 of Title III (p. 1 to 402); 9 - Small note on the continuation of the Nobiliary (f. ll4 [blank verse]); 10 - Index of surnames [and titles] of this nobiliary (f. +1 to +4v); 11 - Index of the names of the men of this nobiliary (f. a1 to c1). Therefore, the copy does not include the «Notas del Marqves de Montebelo al Nobiliario del Conde D. Pedro» (p. 1 to 46) or the «Tablas» (4 f.) that are missing in most of the known copies. Slightly trimmed copy, with some wormholes: on the inner margin, next to the backbone, of f. 49/50 to f. 169/170, and of f. 327 /328 to the end, sometimes affecting the printed text. Title page with foreign ecclesiastical heraldic stamp and white Salema Garção seal. Recent binding, full natural sheepskin. Samodaes, 2366. Palau, 133210

euro_symbol€ 750 - 1,125 Base - Estimate

gavel€ 1,100Sold

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314

 MANUSCRITO.- OFFICIA pro diuersi Sãctis ad vsvm da Me. D. Anta. da Sylva. 1661.- Século XVII (1661).- 48 f.; 12 cm.- E.
Manuscript on parchment. Small book of hours, with a simplified structure, composed of the following services (devotion texts) to be read during the eight canonical hours: Ursula (8 readings), Catherine of Alexandria (8 readings), Saint Anthony (8 readings), Prese[n ]tationis B.M. (7 readings), Lectio S Euangelii secundu[m] Matheu[m] (readings [8] to 12), Saint Joseph (8 readings), Lectio Sancti Evangelii secundu[m] Matheu[m] (readings 9 to 12), Seq[u]e[n]t. sancti Evangelii secundu[m] Matheu[m] (1 reading), In festo translationis S. Patris nostri Benedicti (8 readings), Office of the Rosary (8 readings), On the feast of St. Gabriel Archangel (4 + 4 readings), Office of the Guardian Angel (8 readings), Lectio S Evangelii secundum Matheum (readings 9 to 12), Office of the Holy Martyrs (1 prayer and 9 readings). The manuscript is missing page 37, where readings 5 and 6 of the Office of the Guardian Angel should appear, readings 4 and 7 being truncated (the missing page was replaced by a blank page). As decorative elements, we point out: calligraphic title page inserted in baroque cartouche, made with pen; initial F (fol. 1v) watermarked in gold, on a purple background (20x20 mm); large plant separator drawn in pen (fol. 26v); final inscription with the words Finis Lavs Deo., inserted in a cartouche; epigraphs, initials and separators of the readings in red; remaining text in Roman italic calligraphy. It was not possible for us to obtain information about the owner Mother Antonieta(?) da Silva. Contemporary crimson silk velvet binding, retaining the original silver clasp; marbled paper endpapers from the 19th century., unmarked silver, pursuant to Decreto-Lei No. 120/2017, of September 15 - art. 2, paragraph 2, letter c)

euro_symbol€ 400 - 600 Base - Estimate

gavel€ 850Sold

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