Leilão 238 Antiguidades e Obras de Arte, Livros Antigos e Manuscritos - Retirados - Cabral Moncada Leilões

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217

A violin lesson
oil on wood, French school, 19th C., signed G. A. Roehn (or Alp. Roehn) - probably Jean Alphonse Roehn (1799-1864), small restoration, minor faults on the pictorial layer.
Dimensões (altura x comprimento x largura) - 45 x 56 cm

€ 1,000 - 1,500 Base - Estimate

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219

A village scene
oil on wood, European school, 19th C., small restoration, fault on the back of the support.
Dimensões (altura x comprimento x largura) - 45 x 58,5 cm

€ 600 - 900 Base - Estimate

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221

Diana and Callisto
oil on metal, according to an original drawing by Rubens (1577-1640), circa 1635, which is at the Prado Museum, Madrid, Flemish school, 18th/19th C., restoration, minor faults on the pictorial layer, minor defects on the support
Dimensões (altura x comprimento x largura) - 68 x 86 cm

€ 900 - 1,350 Base - Estimate

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228

Landscape - Figures by the river and houses
oil on oak wood, Flemish school, restoration at the boards joint, faded and illegible signature, dated 1701 (?)
Dimensões (altura x comprimento x largura) - 72 x 106 cm

€ 2,000 - 3,000 Base - Estimate

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238

An eight-light chandelier
crystal with pendants and small glass pieces, European, 19th C., restoration, several gluing, minor faults and defects
Dimensões (altura x comprimento x largura) - 105 cm

€ 800 - 1,200 Base - Estimate

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239

A wall sconce mirror
carved and gilt wooden frame "grotesque masks, profiles of grotesque masks and foliage", Italian, 18th/19th C., minor gluing and faults to the gilt, missing metal wall sconce
Dimensões (altura x comprimento x largura) - 52 x 29 cm

€ 350 - 525 Base - Estimate

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240

A mirror
carved and gilt wooden frame, European, 18th C. (1st half), faults on wood and gilt, old mirror but not original.
Dimensões (altura x comprimento x largura) - 100 x 53,5 cm

€ 400 - 600 Base - Estimate

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242

XIMÉNEZ, Fray Andrés, O.S.H.- Descricion del Real Monasterio de San Lorenzo del Escorial: su magnifico templo, panteon, y palacio: compendiada de la descripcion antigua, y exonerada con nuevas listosas láminas de su planta y montéa...- En Madrid: En la Imprenta de Antonio Marin, 1764.- [20], 452 p.: il.; 29 cm.- E.
Friar Andrés Ximénez (1617-1692), a Hieronymite monk, was a professor and chair of vespers at the Royal Monastery of San Lorenzo de El Escorial. This edition boasts impressive graphic design and is illustrated with the following 18 intaglio engravings (unnumbered): 1 - General view (p. 1); 2 - Facade (p. 22); 3 - Section (p. 30); 4 - Staircase plan (p. 68); 5 - Staircase section (p. 69); 6 - Monument to the ancestors of Queen Maria Ana of Neuburg (p. 204); 7 - 1st general section (p. 214); 8 - 2nd general section (p. 222); 9 - Large choir stall (p. 226); 10 - High altar (p. 296); 11 - Portrait of Philip IV; 12 - Entrance to the Pantheon (p. 330); 13 - Staircase of the Pantheon (p. 334); 14 - Plan of the Pantheon (p. 336); 15 - Altar of the Pantheon (p. 342); 16 - Altar of the Pantheon (p. 346); 17 - Candelabrum (p. 347); 18 - General plan (p. 414). With the exception of plates 4, 11 and 12, which are full-page, all the others are fold-out. The engravings are, in general, very clean and well folded; only the engravings of the monument (6), the high altar (10) and the candelabrum (17) show some restorations, especially in the folds, visible only on the verso; engravings 13 to 17 with minor restorations on the inner margin; small wormholes on the upper margin of leaves Ss3 to Vv3 (8 leaves), marginally affecting four engravings. Otherwise, a very clean and complete copy. Contemporary binding, entirely of flexible parchment, missing the ties and with browning on the first double endpaper. Palau, 376974.

€ 600 - 900 Base - Estimate

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245

CAETANO, Tommaso de Vio, O.P., Cardeal.- REVEREN | dissimi D. Tho | mæ de Vio Ca- | ictani, cardina- | lis sancti Sixti | perquàm docta, | resoluta ac com | pe[n]diosa de pec- | catis Summula | nuper dilige[n]tis | sime recognita.- Lvgdvni: Væneunt in vico Mercuriali, apud Vincentium de Portonarijs, 1538.- 248, 101, [1] f.; 17 cm.- E.
Tommaso de Vio, known as Cardinal Caetano (1469-1534), Dominican religious, Italian exegete, philosopher and theologian, born in Gaeta (Lazio); vicar general of his Order, he was named cardinal in 1517, having participated in the excumbation process of Martin Luther. Lyon edition of one of his most important works, originally published in 1525. The second group of 101 pages contains another work by the same author, with its own title page (Ientaculorum novi testamenti), but apparently it is a single typographic unit. First title page, a little dusty, printed in black and red, with an old manuscript: Dos Carmelitas descalços do Porto. Otherwise, a slightly cropped, but vey clean specimen. Contemporary full sheepskin binding, or a little later, with gold florets between the sections.

€ 300 - 450 Base - Estimate

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248

COSTA, Manuel da.- EMMANVELIS | Costæ Iureconsulti | Lusitani commentaria in .l. Si ex cautione. | C. De non nume. pecu. | [gravura xilográfica com as armas de Portugal].- Conimbricae: [no final] Ioannes Barrerius, & Io. Aluarez Regij Typographii excudebat. Annoa Christo nato M. D. XLIX. [1549].- [4], 274, [14] p.; 19 cm. Junto com: -----.- EMMANVELIS | Costæ Iureconsulti Lu | SITANI REGII SENATORIS | de suo & alieno posthumo commen | taria in. § .Posthumus. | Insti. Lega. | Item Scholia in difficilimam .l. St filius hæres institutus sit | omisso posthumo. ff. DE libe. & posthu.- Conimbricae: Excudebant Ioannes Aluarus & Ioannes Barrerius Typographi Regij. Anno. M. D. LII. [1552].- 36 [i. e. 40] p.; 19 cm.- E.
Manuel da Costa (c.1510-1562), Portuguese poet, humanist and jurisconsult, born in Lisbon; He was a student of Jerónimo Cardoso and Martim de Azpilcueta Navarro, in Coimbra, where he later taught, as well as in Salamanca where he became famous. Two legal works together in the same volume, the second being rare. Slightly cropped volume and slight browning, but overall clean. Recent binding, full sheepskin, from the workshop of Mestre Império Graça, with blind decoration on the covers; Spine with signs of degradation and wormholes. Anselmo, 262 and 288. Biblioteca Nacional (15th Century), 204 (but not referring to the second work). Biblioteca de D. Manuel II, 132 (also does not mention the second work).

€ 600 - 900 Base - Estimate

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254

VASCONCELOS, Pedro Afonso de.- [...] DE HARMONIA RVBRICARVM | Iuris Canonici Prima pars. | AD | Illustrissimum Dominum D. Alfonsum de Castelbranco Conimbricæ Episco- | pum, Arganilli Comitem, etc. æt. | [gravura xilográfica do as armas do dedicatário].- Conimbricae, Typis Antonij de Mariz, Typograph. & Bibliopolæ Vniversitat. Anno Domini 1588.- [8], 60 f.; 19 cm.- E.
Pedro Afonso de Vasconcelos (fl. 16th century), a native of Leiria, graduated in Canon Law from the University of Coimbra, was a relative of the household of D. Teotónio of Braganza and Archbishop of Évora. The copy is slightly handled and trimmed, with browning and signs of wormholes (marginal), which have been restored; the title page is dusty, with a stain on the inner margin. An old ownership appears on the title page: Carmelitas descalços de Corpus X[Chris]ti. Lisboa. The binding is from the 20th century, entirely sheepskin, with traces of wormholes. Anselmo, 892. BN (16th century), 909. Biblioteca de D. Manuel II, 530.

€ 600 - 900 Base - Estimate

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257

CERDA, Frei Gonzalo dela, O.A.- F. GVNDISALVI | DELA CERDA, ORDINIS | MILITÆ DE ALCANTARA, PHILIPPI. II. | HISPANIARVM REGIS CATHOLICI, A SACRIS, | COMMENTARIA IN EPISTOLAM .D. PAVLI | APOSTOLI, AD ROMANOS. | [gravura xilográfica representando o apóstolo].- Vlyssiponæ: Ex Officina Antonii Ribero, 1583.- [8], 347, [13] p.; 25 cm.- E.
Commentary on the Epistle of St. Paul to the Romans, written by Fr. Gonzalo de Lacerda (fl. 1580) who, in addition to being a member of the Military Order of Alcântara, was chaplain to King Philip II of Spain. Copy slightly cropped, but clean; title page with small restorations in the two outer corners; on the front of the second sheet (permit), the inscription: visto pello expurtagorio. 20th century binding, full sheepskin, from the workshops of Mestre Império Graça. Covers with blind decoration, in concentric rectangles; spine with signs of degradation. Protective case. Anselmo, 957. Biblioteca Nacional (16th century), 157. Biblioteca de D. Manuel II, 108.

€ 600 - 900 Base - Estimate

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259

[ORDEM DE NOSSA SENHORA DO CARMO].- Compendio das Chronicas da Orde[m] de Nossa Senhora do Carmo. 1572. Primeira parte do Compe[n]dio de Chronicas da Ordem da muito bemauenturada sempre virgem Maria do monte do Carmo, com exposiçam da Regra da dita Ordem [...] Confirmada per muytos & mui antigos summos Pontifices, pelos Ordinarios & Direito: agora nouamëte copillado per Frei Simão Coelho, Mestre em Theologia, professo da dita Ordem, & Moesteiro de nossa Senhora do Carmo de Lixboa...- [Lisboa]: Per Antonio Gonçaluez, 1572.- [20], 220 p.: 1 gravura; 28 cm.- E.
This is the only published part of the four that the author is believed to have left in manuscript. The compiler, Father Simão Coelho (1514-1606), studied at the Universities of Salamanca and Siena; he was prior of the convents of Moura and Lisbon, eventually becoming provincial of the Order. Father Balbino Velasco Bayon, in his History of the Carmelite Order in Portugal (Lisbon, Paulinas, 2001), states that this is the first printed work concerning the history of the Carmelite Order, a book of great erudition and a true bibliographic rarity. The edition features a frontispiece with four xylographic stripes, framing an extensive summary of the work, with the title printed on a cartouche in the upper stripe. This is followed by a full-page xylographic engraving with a blank verso, representing the coat of arms of the Order. Working copy, but complete, heavily trimmed, with severe burns (repaired) on the upper outer corners of the entire volume, occasionally affecting the typographical area, particularly on the title page. Stamp of the Azevedo House on the engraving (lot no. 787 of the auction held in 1921/22) and ex-libris of Victor d’Avila Perez (lot no. 1815 of the auction held in 1939/40); both descriptions already include the defects briefly described. 19th-century binding, full sheepskin, with imperfections in the covers and spine. Inocêncio, VII, p. 275 (I knew of only three copies, but apparently I was unaware of the engraving since he does not mention it). Anselmo, 695. National Library (16th Century), 541. Biblioteca de D. Manuel II, 320.

€ 800 - 1,200 Base - Estimate

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261

[GOMBERVILLE, Marin Le Roy, Sieur de].- LA | DOCTRINE | DES | MŒVRS. | TIREE | DE LA PHILOSOPHIE | Des Stoïques: | REPRESENTEE EN CENT | TABLEAVX. | ET EXPLIQVEE EN CENT DISCOVRS | por l’instruction de la ieunesse. | AU ROY.- A Paris: Pour Pierre Daret, De l’Imprimerie de Lvys Sevestre. M. DC. XLVI. [1646].- [14], 105 f.: il.; 35 cm.- E.
Original edition of a book of moral emblems commissioned by Cardinal Mazarin for the education of the young King Louis XIV, by Marin Le Roy de Gomberville (1600-1674), Parisian poet and writer, one of the 40 founders of the French Academy. The work is composed of two parts which, although with their own title pages, present independent leafing. It includes the following illustrations intaglio engraved by the editor, painter and engraver Pierre Daret (1604-1678): two Venetian titles, an allegory (La vertu au Roy), a portrait of the author (in medallion), another allegory (before the preface), 103 emblematic figures (repeating the illustrations of Otto van Veen's Emblemata Oratiana, from 1607), each of which is accompanied by two poems (in Latin and vernacular) and the respective explanatory text on the opposite page. It also includes several decorative elements alongside the text: four large vignettes, two identical engravings at the end of each part, and several initial capitals, also intaglio engraved. The copy is somewhat handled, with several imperfections, notably some browning and occasional stains. The binding is not contemporary, with a leather spine and slight wear. Tchémerzine p. 454. Brunet, II, col. 1656. Mario Praz, p. 402.

€ 300 - 450 Base - Estimate

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267

ROSÁRIO, Frei Diogo do, O.P. (trad.)- SVMMA | CAYETANA TRESLADADA | em Portugues, com muytas Annotações, & casos | de consciencia, & Decretos do sagrado | Concilio Tridentino: | Pollo Padre Frey Diogo do Rosayro, da ordem de | São Domingos, Por mandado do muy Illust. & Re | uerendiss. Senhor Dom frey Bartholamau dos Mar | tyres, Arcebispo & Senhor de Braga, rimas das | Espanhas, &c. | [gravura] | ¶ Foy vista & examinada...- Impressa em Coimbra: por Antonio de Maris, Anno 1573.- [12], 442 f.; 14 cm.- E.
The Dominican Fr. Diogo do Rosário, born in Évora, was prior in the convent of Guimarães, the city where he died in 1580. Fr. Diogo Diogo had a close relationship with D. Fr. Bartolomeu dos Mártires who commissioned him to publish a new legendarium (Braga, 1567) which was reprinted several times, as well as the translation of the “Summa Caietana”, by the Dominican exegete, theologian and Italian cardinal Tommaso de Vio (1469-1534). In fact, at least six Portuguese editions of the Rosarian translation of the “Summa” are known (Lisbon, 1557, 1560; Coimbra, 1566 and 1573; Braga, 1565 and 1566), the present one being probably one of the rarest, since there is no copy in the National Library or in the Biblioteca de D. Manuel II. Copy slightly cropped, with some restorations on the title page, slightly affecting the text on front and verso; Minor restorations on subsequent leaves. Binding from the 20th century (probably from the workshop of Mestre Império Graça), with blind tooling on the covers and spine. Anselm, 863.

€ 600 - 900 Base - Estimate

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270

SOUSA, D. António Caetano de.- Historia genealogica da Casa Real Portugueza, desde a sua origem até o presente, com as familias illustres, que procedem dos Reys, e dos Serenissimos Duques de Bragança.- Lisboa Occidental: Na Officina de Joseph Antonio da Sylva, 1735-1749.- 20 vols.: il.; 28 cm.- E.
This monumental work can be considered a general history of the Kingdom, given the wide variety of information it contains. The Proofs section is also undeniably interesting, as it notably transcribes some documents that have since disappeared. The copy corresponds exactly to the description given by Inocêncio, namely: the first 12 volumes of the History are bound in 13; followed by the six volumes of Proofs and the volume of Index. The first volume includes a portrait of the author. The fourth volume contains engravings of royal seals, medals, and coins minted in Portugal since the beginning of the monarchy. None of the volumes includes the usual engraved frontispiece characteristic of the Academy. An old ownership mark (monogram) is present on all volumes. The copy is very clean, preserving large margins. The contemporary bindings, full sheepskin, those of the first two volumes with blind decoration on the covers, the others without decoration, only with the original patina. Samodães, 3241. Inocêncio, I, p. 101.

€ 1,500 - 2,250 Base - Estimate

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271

LISBOA. ARQUIDIOCESE.- ¶ CONSTITVIÇOENS | DO ARCEBISPADO DE LISBOA | assi as antigas como as extrauagantes primeyras & | segundas. Agora nouamente impressas | por mandado do Illustrissimo & Re | uerendissimo senhor dõ Migel | de Castro Arcebispo | de Lisboa.- Impressas em Lisboa: por Belchior Rodrigues impressor, 1588.- 90, [8] f.; 25 cm. Junto com: CONSTITVIÇÕES EXTRAVA | gantes primeyras do Arcebispado | de Lisboa. | [gravura xilográfica com as armas de D. Miguel de Castro] | Agora nouamente impressas por mandado do | Illustrissimo & Reuerendissimo senhor dom | MIguel de Castro Arcebispo de Lisboa,.. [Em Lisboa]: por Belchior Rodrigues impressor. Anno de 1588.- 10 f.; 25 cm. Junto com: CONSTITVIÇÕES EXTRAVA | gantes segundas do Arcebispado | de Lisboa. | [gravura xilográfica com as armas de D. Miguel de Castro] | Agora nouamente impressas por mandado do | Illustrissimo & Reuerendissimo senhor dom | MIguel de Castro Arcebispo de Lisboa,.. [Em Lisboa]: por Belchior Rodrigues impressor. Anno de 1588.- [4], 26 f.; 25 cm.- E.
First of the three known works that came out of the press of Belchior Rodrigues (fl. 1588-1590), which António Joaquim Anselmo rightly considers to be a single typographic copy. On the last page, in fact, we find a collective colophon for the three titles. Slightly trimmed copy, with slight browning and light moisture stains (from the tide). Restorations on the lower margin of the title page, on pages Aa5, Aa6 and on the lower outer corner of the last page; traces of wormholes; occasional marginal notes of the time. Ex-libris by Victor d’Avila Perez (lot no. 1905 from the auction held in 1939/40). Full sheepskin binding, probably from the first half of the 19th century, preserving the marbled paper of the endpapers. Anselmo, 997. BN (16th century), 419, 422 and 424. Biblioteca de D. Manuel II, 254, 255 and 256.

€ 800 - 1,200 Base - Estimate

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276

JERÓNIMO DE AZAMBUJA, Frei, O.P.- Commentaria in Exodum. | REVERENDI | ADMODVM PATRIS | Fratris Hieronymi Oleatræi Lusitani, | [...] | Comentaria in Exodum, iuxta M. San- | tis Pagnini Luce[n]sis eiusdem ordinis | interpretationem...- Olissiponi: Ex officina Ioannis Blauij Coloniensis. M. D. LVII. [1557]. [4], 96 f.; 27 cm.- E.
Fr. Jerónimo de Azambuja (†1563), also known as Oleastro, religious of the Order of Saint Dominic, of which he was provincial, was one of the most prominent theologians of the 16th century. Deep knowledge of the Latin and Greek languages, he participated in the Council of Trent where he was noted for his opposition to any type of innovation; as chief inquisitor (1555) he practiced the greatest violence and cruelty. Original edition of his main work, the “Comentários ao Pentateuco”, divided into five parts or books, the first printed by João Barreira and the rest by João Blávio de Colónia. The commentary on the second book of the Pentateuch was the first to be printed by João Blávio de Colónia (fl. 1554-1563), the last German printer to settle in Lisbon. Copy slightly trimmed (occasional damage to the printed marginalia), with slight moisture stains (from the tide), but overall clean. Full sheepskin binding, from the 20th century, certainly from the workshop of Mestre Império Graça, with blind decoration on the covers, in the style of the period (spine with slight wear). Anselmo, 320. Biblioteca Nacional (16th Century), 389. Biblioteca de D. Manuel II, RES 288-284 Adq.

€ 600 - 900 Base - Estimate

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278

AMICO DA GALLIPOLI, Fr. Bernardino, O.F.M.- TRATTATO | delle Piante & Immagini | de Sacri Edifizi di | TERRA SANTA | Disegnate in Jerusalemme | secondo le regole della | Prospettiua. & uera misura | della lor grandezza | DAL R. P. F. BERNARDINO | Amico da Gallipoli dell’ | Ord. di S. FRANCESCO de | Minori osseruanij | Stampate in Roma e di nuouo | ristampate dallistesso Autore | in piu piccola forma, | aggiuntoui la strada | dolorosa, & | altre | figure.- In Firenze: Apresso Pietro Cecconcelli, 1620.- [8], 65, [i. e. 82], [1 ] p.: 1 portada grav., il.; 30 cm.- E.
Second edition of a work of the greatest importance for the history of the Holy Places and their religious monuments. The Franciscan Bernardino Amico, born in Gallipoli (fl. 1590-1610), traveled through the Holy Land at the end of the 16th century, having been prior of his order in Jerusalem between 1593 and 1597(?). During his stay he collected numerous notes and drawings from life, including facades and plans of some now-vanished buildings. Back in Italy, he published the work, first in 1609, with engravings by Antonio Tempesta, nine prints less than in the present edition, illustrated with 33 double engravings, by the famous French engraver Jacques Callot, including an engraved frontispiece and a view of Jerusalem, according to the original by Antonio de Angelis (1578). The work is dedicated to Cosimo II, of Medici, Grand Duke of Tuscany, who commissioned the engravings from Callot, expressly for this second edition. The volume presents irregular and incomprehensible pagination, which is why we present the detailed and rigorous collation below: [1], ¶4, A2, B1, C-F2, G1, H-L2, M1, N-R2, S1, T-V2, X1, Y-Z2, Aa-Cc2, Dd1, Ee-Qq2, Rr1, Ss-Vv2. The edition presents the engravings interspersed in successive printing and only afterwards was the respective descriptive text added. It was then necessary to add additional folios, when the remaining space proved to be insufficient for the text that needed to be printed, which explains the irregularity of the sections. On the verso of the last folio, the following colophon: In Firenze, M.DC.XIX. per il Cecconcelli. [mark of the pinter] Alle Stelle Medicee. Con Licenzia dé Superiori. All folios are found mounted in guards. Lightly cropped copy, with light handling and occasional stains. Some tears without lack of support, particularly in the folds of the engravings (and on the margin of f. O1). Ex-libris by Victor d’Avila Perez (not found in the auction catalogue held in 1940). Contemporarry binding, fully of rigid parchment, slightly worn and with some damage to the spine (recoverable). Amico's drawings were the first accurate images that reached the West, of some of the places of greatest religious significance in the Holy Land, namely the building of the Last Supper, the Way of the Cross and the Holy Sepulcher. Lieure (J. Callot), 306-352. Cicognara, 3932. Brunet, I, col. 231.

€ 800 - 1,200 Base - Estimate

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279

VECELLIO, Cesare.- HABITI ANTICHI | Ouero | RACCOLTA DI FIGVRE | Delineate dal Gran Titiano, e da Cesare | Veccelio suo Fratello, diligentemente | intagliate, conforme alle Nationi | del Mondo. | LIBRO VTILISSIMO | A Pittori, Dissegnatori, Scultori, Architetti, & | ad ogni curioso, e peregrino ingegno...- In Venetia: Per Combi, & LaNoù. M DC LXIV. [1664].- [14], 415, [1] p.: il.; 18 cm.- E.
Third edition of a work originally published in 1590, with a second edition in 1598. Cesare Vecellio (ca. 1521-1601), Italian painter and draftsman, born in Cadore (Veneto), was a cousin and compatriot of the great Titian, with whom he was a companion and probably an assistant in his workshop. The edition is illustrated in the text with 415 xylographic figures, accompanied by small captions, representing the costumes of European, Asian, African, Ottoman, and New World peoples. The work enjoyed considerable success and contributed to the formation of the imaginary representation that Europeans developed of the peoples of the then-known world. The copy is slightly trimmed (carmine edges), but complete, very clean, and retains good margins. Ex-libris of Victor d’Avila Perez (lot not located in the auction held in 1939/40). Recent binding, full sheepskin, with an old-fashioned patina. Lipperheide, 24. René Colas (Costume & Mode), 2978.

€ 800 - 1,200 Base - Estimate

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282

RÉGIO, José.- Primeiro volume de teatro: Jacob e o Anjo: mistério em três actos, um prólogo e um epílogo; Três máscaras: fantasia dramática em um acto; post-fácio.- Portalegre: Imprensa Portuguesa, 1940.- 163 p.; 24 cm.- B.
Author's dedication on the frontispiece: Para o Horácio Cunha [administrator of the newspaper O Diabo], com a boa camaradagem e amizade do José Régio. Portalegre, 1943. Very clean copy, preserving intact the paperback covers (illustrated by Júlio, the author's brother), with flaps.

€ 300 - 450 Base - Estimate

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291

GRAVURA.- PORTVGALIA.- [Vista imaginária da cidade de Lisboa].- Nuremberg: Anton Koberger, for Sebald Schreyer and Sebastian Kammermeister,1493.- gravura xilográfica; 360 mm (folha)
Hand-coloured xylographic on paper, probably from the work “Liber chronicarum” by Hartmann Schedel (1440-1514), known as the “Nuremberg Chronicle”, published in that city in 1493., includes descriptive text in Latin with Gothic characters; on the verso, an imaginary view of an Italian city, accompanied by its respective text., German, proof slightly trimmed, the colouring is probably not original, paper with slight browning.
Dimensões (altura x comprimento x largura) - 36 x 25,5 cm

€ 400 - 600 Base - Estimate

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297

A Pietà
polychrome and gilt wooden late gothic sculpture, Flemish, 15th/16th C., faults on polychrome, other faults and defects
Dimensões (altura x comprimento x largura) - 46 cm

€ 1,200 - 1,800 Base - Estimate

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300

Our Lady of the Immaculate Conception
polychrome and gilt wooden sculpture, Portuguese, 17th/18th C., two glued fingers, small restoration to polychrome and gilt, lower part of the interior of the sculpture filled with polyurethane, interior with some traces of woodworms
Dimensões (altura x comprimento x largura) - 104 cm

€ 4,000 - 6,000 Base - Estimate

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