Leilão 238 Antiguidades e Obras de Arte, Livros Antigos e Manuscritos - Retirados - Cabral Moncada Leilões

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194

The reconciliation between Jacob and Esau
oil on canvas pasted on wood, after engraving by Matthäus Merian Senior, «the elder» (1593-1650), Portuguese school, 18th C., small restoration, minor faults on the pictorial layer.
Dimensões (altura x comprimento x largura) - 148 x 196,5 cm

€ 1,500 - 2,250 Base - Estimate

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199

"Lamentation over the Dead Christ"
oil on canvas after engraving based on the original 1634 painting by Anthony van Dyck (1599-1641), which can be found in the Haute Pinacotheque in Munich, Portuguese school, 18th C., relined, restoration, hole in the canvas, minor faults on the pictorial layer
Dimensões (altura x comprimento x largura) - 87 x 115 cm

€ 560 - 840 Base - Estimate

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203

The Deposition of Christ
oil on canvas, Portuguese school, 18th/19th C., relined, restoration, minor faults on the pictorial layer
Dimensões (altura x comprimento x largura) - 94,5 x 148 cm

€ 1,500 - 2,250 Base - Estimate

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204

"Our Lady with the Child Jesus" and "Holy Trinity, Our Lady and Saint Michael among angels and cherubs over souls in Purgatory"
A processional banner painted on both sides of a wooden support, Iron spike, tall wooden stand painted with gilt friezes, Portuguese, 18th C., small restoration, minor defects, faults in an upper corner of the frame, light woodworms, back with inscription REFORMADA EM 1781
Dimensões (altura x comprimento x largura) - (pintura) 78,5 x 67,5 cm; (total) 236,5 cm

€ 2,000 - 3,000 Base - Estimate

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208

A side table
D. José I, King of Portugal (1750-1777)/D. Maria I, Queen of Portugal (1777-1816), Brazilian-rosewood, burr-Brazilian rosewood, kingwood and thornbush marquetry, scalloped, pierced and gilt bronze mounts, Portuguese, small restoration, minor faults and defects
Dimensões (altura x comprimento x largura) - 76 x 99 x 51 cm

€ 1,000 - 1,500 Base - Estimate

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209

A suttee
D. João V, King of Portugal (1706-1750)/D. José I, King of Portugal (1750-1777), carved Brazilian-rosewood, scalloped and pierced back splats, turned stretchers, embossed leather seat with studs, Portuguese, small restoration
Dimensões (altura x comprimento x largura) - 100 x 177,5 x 58 cm

€ 1,500 - 2,250 Base - Estimate

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210

A side table
D. João V, King of Portugal (1706-1750)/D. José I, King of Portugal (1750-1777), walnut, carved knees and skirts, "claw-and-ball" feet, Portuguese, small restoration, minor faults and defects, one broken foot, restored and glued, some traces of woodworms, non-original pierced bronze mounts en relief
Dimensões (altura x comprimento x largura) - 81,5 x 102 x 53,5 cm

€ 800 - 1,200 Base - Estimate

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216

Marine
oil on canvas, English School, 19th C., small restoration, signed R. H. WIBBS - probably Richard Henry Wibbs (c. 1816-1893)
Dimensões (altura x comprimento x largura) - 80 x 119 cm

€ 1,200 - 1,800 Base - Estimate

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217

A violin lesson
oil on wood, French school, 19th C., signed G. A. Roehn (or Alp. Roehn) - probably Jean Alphonse Roehn (1799-1864), small restoration, minor faults on the pictorial layer.
Dimensões (altura x comprimento x largura) - 45 x 56 cm

€ 1,000 - 1,500 Base - Estimate

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219

A village scene
oil on wood, European school, 19th C., small restoration, fault on the back of the support.
Dimensões (altura x comprimento x largura) - 45 x 58,5 cm

€ 600 - 900 Base - Estimate

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228

Landscape - Figures by the river and houses
oil on oak wood, Flemish school, restoration at the boards joint, faded and illegible signature, dated 1701 (?)
Dimensões (altura x comprimento x largura) - 72 x 106 cm

€ 2,000 - 3,000 Base - Estimate

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238

An eight-light chandelier
crystal with pendants and small glass pieces, European, 19th C., restoration, several gluing, minor faults and defects
Dimensões (altura x comprimento x largura) - 105 cm

€ 800 - 1,200 Base - Estimate

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239

A wall sconce mirror
carved and gilt wooden frame "grotesque masks, profiles of grotesque masks and foliage", Italian, 18th/19th C., minor gluing and faults to the gilt, missing metal wall sconce
Dimensões (altura x comprimento x largura) - 52 x 29 cm

€ 350 - 525 Base - Estimate

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240

A mirror
carved and gilt wooden frame, European, 18th C. (1st half), faults on wood and gilt, old mirror but not original.
Dimensões (altura x comprimento x largura) - 100 x 53,5 cm

€ 400 - 600 Base - Estimate

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242

XIMÉNEZ, Fray Andrés, O.S.H.- Descricion del Real Monasterio de San Lorenzo del Escorial: su magnifico templo, panteon, y palacio: compendiada de la descripcion antigua, y exonerada con nuevas listosas láminas de su planta y montéa...- En Madrid: En la Imprenta de Antonio Marin, 1764.- [20], 452 p.: il.; 29 cm.- E.
Friar Andrés Ximénez (1617-1692), a Hieronymite monk, was a professor and chair of vespers at the Royal Monastery of San Lorenzo de El Escorial. This edition boasts impressive graphic design and is illustrated with the following 18 intaglio engravings (unnumbered): 1 - General view (p. 1); 2 - Facade (p. 22); 3 - Section (p. 30); 4 - Staircase plan (p. 68); 5 - Staircase section (p. 69); 6 - Monument to the ancestors of Queen Maria Ana of Neuburg (p. 204); 7 - 1st general section (p. 214); 8 - 2nd general section (p. 222); 9 - Large choir stall (p. 226); 10 - High altar (p. 296); 11 - Portrait of Philip IV; 12 - Entrance to the Pantheon (p. 330); 13 - Staircase of the Pantheon (p. 334); 14 - Plan of the Pantheon (p. 336); 15 - Altar of the Pantheon (p. 342); 16 - Altar of the Pantheon (p. 346); 17 - Candelabrum (p. 347); 18 - General plan (p. 414). With the exception of plates 4, 11 and 12, which are full-page, all the others are fold-out. The engravings are, in general, very clean and well folded; only the engravings of the monument (6), the high altar (10) and the candelabrum (17) show some restorations, especially in the folds, visible only on the verso; engravings 13 to 17 with minor restorations on the inner margin; small wormholes on the upper margin of leaves Ss3 to Vv3 (8 leaves), marginally affecting four engravings. Otherwise, a very clean and complete copy. Contemporary binding, entirely of flexible parchment, missing the ties and with browning on the first double endpaper. Palau, 376974.

€ 600 - 900 Base - Estimate

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245

CAETANO, Tommaso de Vio, O.P., Cardeal.- REVEREN | dissimi D. Tho | mæ de Vio Ca- | ictani, cardina- | lis sancti Sixti | perquàm docta, | resoluta ac com | pe[n]diosa de pec- | catis Summula | nuper dilige[n]tis | sime recognita.- Lvgdvni: Væneunt in vico Mercuriali, apud Vincentium de Portonarijs, 1538.- 248, 101, [1] f.; 17 cm.- E.
Tommaso de Vio, known as Cardinal Caetano (1469-1534), Dominican religious, Italian exegete, philosopher and theologian, born in Gaeta (Lazio); vicar general of his Order, he was named cardinal in 1517, having participated in the excumbation process of Martin Luther. Lyon edition of one of his most important works, originally published in 1525. The second group of 101 pages contains another work by the same author, with its own title page (Ientaculorum novi testamenti), but apparently it is a single typographic unit. First title page, a little dusty, printed in black and red, with an old manuscript: Dos Carmelitas descalços do Porto. Otherwise, a slightly cropped, but vey clean specimen. Contemporary full sheepskin binding, or a little later, with gold florets between the sections.

€ 300 - 450 Base - Estimate

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248

COSTA, Manuel da.- EMMANVELIS | Costæ Iureconsulti | Lusitani commentaria in .l. Si ex cautione. | C. De non nume. pecu. | [gravura xilográfica com as armas de Portugal].- Conimbricae: [no final] Ioannes Barrerius, & Io. Aluarez Regij Typographii excudebat. Annoa Christo nato M. D. XLIX. [1549].- [4], 274, [14] p.; 19 cm. Junto com: -----.- EMMANVELIS | Costæ Iureconsulti Lu | SITANI REGII SENATORIS | de suo & alieno posthumo commen | taria in. § .Posthumus. | Insti. Lega. | Item Scholia in difficilimam .l. St filius hæres institutus sit | omisso posthumo. ff. DE libe. & posthu.- Conimbricae: Excudebant Ioannes Aluarus & Ioannes Barrerius Typographi Regij. Anno. M. D. LII. [1552].- 36 [i. e. 40] p.; 19 cm.- E.
Manuel da Costa (c.1510-1562), Portuguese poet, humanist and jurisconsult, born in Lisbon; He was a student of Jerónimo Cardoso and Martim de Azpilcueta Navarro, in Coimbra, where he later taught, as well as in Salamanca where he became famous. Two legal works together in the same volume, the second being rare. Slightly cropped volume and slight browning, but overall clean. Recent binding, full sheepskin, from the workshop of Mestre Império Graça, with blind decoration on the covers; Spine with signs of degradation and wormholes. Anselmo, 262 and 288. Biblioteca Nacional (15th Century), 204 (but not referring to the second work). Biblioteca de D. Manuel II, 132 (also does not mention the second work).

€ 600 - 900 Base - Estimate

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254

VASCONCELOS, Pedro Afonso de.- [...] DE HARMONIA RVBRICARVM | Iuris Canonici Prima pars. | AD | Illustrissimum Dominum D. Alfonsum de Castelbranco Conimbricæ Episco- | pum, Arganilli Comitem, etc. æt. | [gravura xilográfica do as armas do dedicatário].- Conimbricae, Typis Antonij de Mariz, Typograph. & Bibliopolæ Vniversitat. Anno Domini 1588.- [8], 60 f.; 19 cm.- E.
Pedro Afonso de Vasconcelos (fl. 16th century), a native of Leiria, graduated in Canon Law from the University of Coimbra, was a relative of the household of D. Teotónio of Braganza and Archbishop of Évora. The copy is slightly handled and trimmed, with browning and signs of wormholes (marginal), which have been restored; the title page is dusty, with a stain on the inner margin. An old ownership appears on the title page: Carmelitas descalços de Corpus X[Chris]ti. Lisboa. The binding is from the 20th century, entirely sheepskin, with traces of wormholes. Anselmo, 892. BN (16th century), 909. Biblioteca de D. Manuel II, 530.

€ 600 - 900 Base - Estimate

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257

CERDA, Frei Gonzalo dela, O.A.- F. GVNDISALVI | DELA CERDA, ORDINIS | MILITÆ DE ALCANTARA, PHILIPPI. II. | HISPANIARVM REGIS CATHOLICI, A SACRIS, | COMMENTARIA IN EPISTOLAM .D. PAVLI | APOSTOLI, AD ROMANOS. | [gravura xilográfica representando o apóstolo].- Vlyssiponæ: Ex Officina Antonii Ribero, 1583.- [8], 347, [13] p.; 25 cm.- E.
Commentary on the Epistle of St. Paul to the Romans, written by Fr. Gonzalo de Lacerda (fl. 1580) who, in addition to being a member of the Military Order of Alcântara, was chaplain to King Philip II of Spain. Copy slightly cropped, but clean; title page with small restorations in the two outer corners; on the front of the second sheet (permit), the inscription: visto pello expurtagorio. 20th century binding, full sheepskin, from the workshops of Mestre Império Graça. Covers with blind decoration, in concentric rectangles; spine with signs of degradation. Protective case. Anselmo, 957. Biblioteca Nacional (16th century), 157. Biblioteca de D. Manuel II, 108.

€ 600 - 900 Base - Estimate

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261

[GOMBERVILLE, Marin Le Roy, Sieur de].- LA | DOCTRINE | DES | MŒVRS. | TIREE | DE LA PHILOSOPHIE | Des Stoïques: | REPRESENTEE EN CENT | TABLEAVX. | ET EXPLIQVEE EN CENT DISCOVRS | por l’instruction de la ieunesse. | AU ROY.- A Paris: Pour Pierre Daret, De l’Imprimerie de Lvys Sevestre. M. DC. XLVI. [1646].- [14], 105 f.: il.; 35 cm.- E.
Original edition of a book of moral emblems commissioned by Cardinal Mazarin for the education of the young King Louis XIV, by Marin Le Roy de Gomberville (1600-1674), Parisian poet and writer, one of the 40 founders of the French Academy. The work is composed of two parts which, although with their own title pages, present independent leafing. It includes the following illustrations intaglio engraved by the editor, painter and engraver Pierre Daret (1604-1678): two Venetian titles, an allegory (La vertu au Roy), a portrait of the author (in medallion), another allegory (before the preface), 103 emblematic figures (repeating the illustrations of Otto van Veen's Emblemata Oratiana, from 1607), each of which is accompanied by two poems (in Latin and vernacular) and the respective explanatory text on the opposite page. It also includes several decorative elements alongside the text: four large vignettes, two identical engravings at the end of each part, and several initial capitals, also intaglio engraved. The copy is somewhat handled, with several imperfections, notably some browning and occasional stains. The binding is not contemporary, with a leather spine and slight wear. Tchémerzine p. 454. Brunet, II, col. 1656. Mario Praz, p. 402.

€ 300 - 450 Base - Estimate

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267

ROSÁRIO, Frei Diogo do, O.P. (trad.)- SVMMA | CAYETANA TRESLADADA | em Portugues, com muytas Annotações, & casos | de consciencia, & Decretos do sagrado | Concilio Tridentino: | Pollo Padre Frey Diogo do Rosayro, da ordem de | São Domingos, Por mandado do muy Illust. & Re | uerendiss. Senhor Dom frey Bartholamau dos Mar | tyres, Arcebispo & Senhor de Braga, rimas das | Espanhas, &c. | [gravura] | ¶ Foy vista & examinada...- Impressa em Coimbra: por Antonio de Maris, Anno 1573.- [12], 442 f.; 14 cm.- E.
The Dominican Fr. Diogo do Rosário, born in Évora, was prior in the convent of Guimarães, the city where he died in 1580. Fr. Diogo Diogo had a close relationship with D. Fr. Bartolomeu dos Mártires who commissioned him to publish a new legendarium (Braga, 1567) which was reprinted several times, as well as the translation of the “Summa Caietana”, by the Dominican exegete, theologian and Italian cardinal Tommaso de Vio (1469-1534). In fact, at least six Portuguese editions of the Rosarian translation of the “Summa” are known (Lisbon, 1557, 1560; Coimbra, 1566 and 1573; Braga, 1565 and 1566), the present one being probably one of the rarest, since there is no copy in the National Library or in the Biblioteca de D. Manuel II. Copy slightly cropped, with some restorations on the title page, slightly affecting the text on front and verso; Minor restorations on subsequent leaves. Binding from the 20th century (probably from the workshop of Mestre Império Graça), with blind tooling on the covers and spine. Anselm, 863.

€ 600 - 900 Base - Estimate

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270

SOUSA, D. António Caetano de.- Historia genealogica da Casa Real Portugueza, desde a sua origem até o presente, com as familias illustres, que procedem dos Reys, e dos Serenissimos Duques de Bragança.- Lisboa Occidental: Na Officina de Joseph Antonio da Sylva, 1735-1749.- 20 vols.: il.; 28 cm.- E.
This monumental work can be considered a general history of the Kingdom, given the wide variety of information it contains. The Proofs section is also undeniably interesting, as it notably transcribes some documents that have since disappeared. The copy corresponds exactly to the description given by Inocêncio, namely: the first 12 volumes of the History are bound in 13; followed by the six volumes of Proofs and the volume of Index. The first volume includes a portrait of the author. The fourth volume contains engravings of royal seals, medals, and coins minted in Portugal since the beginning of the monarchy. None of the volumes includes the usual engraved frontispiece characteristic of the Academy. An old ownership mark (monogram) is present on all volumes. The copy is very clean, preserving large margins. The contemporary bindings, full sheepskin, those of the first two volumes with blind decoration on the covers, the others without decoration, only with the original patina. Samodães, 3241. Inocêncio, I, p. 101.

€ 1,500 - 2,250 Base - Estimate

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276

JERÓNIMO DE AZAMBUJA, Frei, O.P.- Commentaria in Exodum. | REVERENDI | ADMODVM PATRIS | Fratris Hieronymi Oleatræi Lusitani, | [...] | Comentaria in Exodum, iuxta M. San- | tis Pagnini Luce[n]sis eiusdem ordinis | interpretationem...- Olissiponi: Ex officina Ioannis Blauij Coloniensis. M. D. LVII. [1557]. [4], 96 f.; 27 cm.- E.
Fr. Jerónimo de Azambuja (†1563), also known as Oleastro, religious of the Order of Saint Dominic, of which he was provincial, was one of the most prominent theologians of the 16th century. Deep knowledge of the Latin and Greek languages, he participated in the Council of Trent where he was noted for his opposition to any type of innovation; as chief inquisitor (1555) he practiced the greatest violence and cruelty. Original edition of his main work, the “Comentários ao Pentateuco”, divided into five parts or books, the first printed by João Barreira and the rest by João Blávio de Colónia. The commentary on the second book of the Pentateuch was the first to be printed by João Blávio de Colónia (fl. 1554-1563), the last German printer to settle in Lisbon. Copy slightly trimmed (occasional damage to the printed marginalia), with slight moisture stains (from the tide), but overall clean. Full sheepskin binding, from the 20th century, certainly from the workshop of Mestre Império Graça, with blind decoration on the covers, in the style of the period (spine with slight wear). Anselmo, 320. Biblioteca Nacional (16th Century), 389. Biblioteca de D. Manuel II, RES 288-284 Adq.

€ 600 - 900 Base - Estimate

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282

RÉGIO, José.- Primeiro volume de teatro: Jacob e o Anjo: mistério em três actos, um prólogo e um epílogo; Três máscaras: fantasia dramática em um acto; post-fácio.- Portalegre: Imprensa Portuguesa, 1940.- 163 p.; 24 cm.- B.
Author's dedication on the frontispiece: Para o Horácio Cunha [administrator of the newspaper O Diabo], com a boa camaradagem e amizade do José Régio. Portalegre, 1943. Very clean copy, preserving intact the paperback covers (illustrated by Júlio, the author's brother), with flaps.

€ 300 - 450 Base - Estimate

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