OVÍDIO - 43 a.C. - c. 17 d.C. OUI. de arte aman.¶ | P. Oui. Naso de | arte amandi & remedio amoris cu[m] Bar | ptolomei Merule commentarijs, in | quibus greca que mendosissima erant, | castgatissima reddidimus. Addidis | musque (et id quide[m] non inconsulte) vt | iucunda, ita ad rem facientia, ex Mo | scho Poeta greco de cupidine fugiti- | uo carmina: Angelo Poli. interprete. | [gravura com a marca do impressor]| 1531 |¶ Uenundant Lugd. a Guil. Boulle | in vico Mercuriali, [1531]].- LXXXI, [3 (alias 2)] f.: il.; 164 mm. Lyonese edition of the first two books of the Art of Love, from Ovid (43 BC-17 or 18 A.D.), Roman poet, contemporary of Virgil and Horace, with whom he shares the glory of being one of the classical authors of the Latin language. Ovid has written a third volume, devoted to women. Illustrated edition with woodcut engravings, entirely composed of Gothic characters, with the classical layout of the documents of the time: original text to the centre of the page, surrounded by extensive comments (glosses), in the present case, from the Tuscan humanist Angelo Poliziano (1454-1494). Slightly fatigued title page, printed in black and red, presenting the Quinta das Lágrimas stamp-Coimbra, which is repeated on leaf xvii. Copy with lack of the final folio (Folio lIV and the last one of the index), very trimmed, with total or partial losses of good part of the current titles and foliage. Some underscores and annotations of the time and random ink stains. 18th century binding, entire calf.