Leilão 186 Antiguidades e Obras de Arte - Especial - Retirados

186

Antiques and Works of Art - Special

13 and 14 March 2017 • 7h30 pm

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808

Traditional costumes
Musée Cosmopolite - Musée de Costumes.- Paris: Ancienne Maison Aubert, s.d. [ca.1850].- 98 estampas color.; 25 cm.- E. Assembly consisting of 98 hand-coloured steel engravings, of the Musée Cosmopolite and Musée de Costumes series of the same Parisian publishing house. Represent traditional costumes of the following European countries: France (59 engravings, numbered from 2 to 63, with lack of engravings Nos 4, 22 and 42); Spain & Portugal (19 engravings, numbered from 1 to 20, with lack of engravings No 16); Germany (20 engravings, numbered from 1 to 20). Engraving No 7 (France) with duct tape restored tear on the back; occasional minor stains. Volume slightly handled, binding of the time, fatigued, with leather spine.

€ 400 - 600 Base - Estimate

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810

PIERRE SURIREY DE SAINT-REMY - 1645-1716
Memoires d’artillerie
SURIREY DE SAINT-REMY, Pierre.- Memoires d’artillerie.- Troisiéme edition, beaucoup plus ample & plus complette que la seconde.- A Paris: Chez Rollin Fils, 1745.- 3 vols.: il.; 26 cm.- E. French General, born in Saint-Remy, the author (1645-1716) was grand master of artillery under Louis XIV. The work, published initially in 1692, was considered mandatory reference in the matter throughout the 18th century. The agenda of each one of the volumes is as follows: I-[16], LXIV, 338 p.: 1 engraved front, 1 picture, 59 engravings; II-[16], 400 p.: 106 engravings; III-[12], 468, [38] p.: 43 engravings. The total of engravings is 210, being 40 leaflets, some of large dimensions. Slight acidity at the beginning of the first volume; Tomo II with water and moisture stains (tidal stains) on the bottom half of the last 120 sheets, affecting some etchings, four of which exhibit smaller restoration on the back. Ownership manuscripts of the time on the three volumes: François de la Tour en Voivre. Complete Copy with all the engravings neatly folded, binding of the time, entire calf, fatigued, with signs of bookworm work the on spines.

€ 600 - 900 Base - Estimate

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811

ANTÓNIO ARDIZZONE SPINOLA - 1609-1697
Cordel triplicado de amor a Christo Jesu sacramentado
SPINOLA, Pe. António Ardizzone.- CORDEL | TRIPLICADO DE AMOR | A CHRISTO JESU SACRAMENTADO, | Ao Encuberto de Portugal nacido, A seu Reyno restaurado, | LANÇADO EM TRES LIVROS DE SERMOENS, | DA FELIS ACLAMAÇAM D'EL REY DOM IOAM IV...- Lisboa: Na Impressaõ de Antonio Craesbeeck de Mello, 1680.- [84], 735, [109] p.: [8 (aliás 7)] gravuras.; 20 cm.- E. The author (1609-1697), a teatino religious from Naples remained long years in Portugal, with a stay in India between 1639 and 1648. The work is divided into three parts, each with its own title page but with continuous paging the first dedicated to the acclamation of King D. João IV, entitled «Portugal restituido na decima sexta geraçam de seus reys naturaes...» (p. 1 a 224); the second, which includes four sermons preached in Goa, «A Sagrada Comunham Restaurada na India...» (p. 225 a 579) and the tird one dedicated to «Annos desejados, e nacimentos felices da Magestade d'El-Rey de Portugal Dom Ioam IV» (p. 581 a 735). The Edition is illustrated with eight Burin engravings: two portraits of D. Pedro, Prince Regent, very similar (but the first one by Thomas Dudley and the second one by Clemente Bilingue, missing in this copy), a portrait of King D. João IV, a family tree of Jesus Christ and two of the Royal generation and consanguinity of Christ with King D. João IV, a portrait of the author during the Acclamation faced an assistance of Gentiles in India (Ernesto Soares, 3246) and a portrait of King D. João IV, still young. Ernesto Soares, on his História da gravura artística», refers to all these engravings (759) by assigning them to the English Thomas Dudley (TDF signatures), except the third family tree that is signed CB (Clement Bilingue). The eition was ordered to be suppressed and forbidden its reading by edict of the Real Mesa Censória in 1775, hence the rarity of the copies. This is a trimmed copy with some bookworm marginal cuts, but generally clean. Recent mottled calf binding. The work, bearing the theme of the first and third parts may be included in the bibliography of the Restoration period, but not referred to in the catalogue of the Viscount of Trindade. Samodães, 191 (refers to the engraving of D. Pedro). Inocêncio, I, p. 90. Arouca, S 558.

€ 100 - 150 Base - Estimate

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