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Single session | March 27, 2023  | 428 Lots

1/2

euro_symbol€ 1,500 - 2,250 Base - Estimate

gavel€ 2,000Sold

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[HISTÓRIA DA NOSSA REDENÇÃO].- ¶ Este liuro he do | começo da historia da nossa rede[n]- | çam que se fez pera consolação dos | que nam sabe[m] latim: pede o au- | tor della aos leitores q[ue] se nella ha | acharem lhe digam por amor de |deos hu[m] pater noster polla alma. | Foy aprouada pela sancta Inqui- | siçam deste reino de portugal.- Em ha muyto leal cidade de Lisboa em casa de Germão galhard impressor del Rey nosso senhor..., M.d.lij años [1552].- [1], cvj f.; 18 cm. Junto com: Esta he a segun | da parte da historia da nossa re- | denção: que se fez pera consolaçã | dos que não sabe[m] latim. | Pede ho autor aos leytores que se nela acha | rem lhe digão por amor de Deos hu[m] Pater noster por alma.- Impressa em a muyto nobre & sempre leal cidade de Coimbra [...]. Por Ioão de Barreyra imprimidor del Rey na vniversidade d Coimbra [...] anno de 1554.- cxlix, [2, 1 br.] p.; 18 cm.- E. A complete set, with two parts, of a work that, according to Maria Alzira Simões, is “de autoria incerta atribuída a Jorge da Silva e mandada imprimir por D. Leonor de Noronha”. The two parts correspond exactly to the descriptions of the BNP copies, except for the first part which has one more page, the title page, not registered in the respective catalogue. The two parts are almost entirely composed in Gothic characters; the first with an architectural engraving on the title page, very similar to the one used in the first edition of “Os Lusíadas” in 1572 (pelican with the head turned to the viewer's left). The second features a xilography with four vegetal stripes and a small central engraving, with a female figure. It belongs to an old manuscript, scratched, on the face of the first part, causing strong browning, with a small loss of support. Moreover, the two volumes are slightly cropped (carmine edges), with slight browning and rare reading marks (signs and underlines), but in general very clean. Binding from the 20th century, entirely in blue morocco, with label by Frederico d’Almeida; gilt fillet squared on the covers, roll on the squares and in the thickness of the sides. Anselmo, 643 and 128 (the only known copy [of the 1st part] belonged to the Viscount of Azevedo). Samodaes, 224 (acquired by Ávila Perez). BN (16th century), 315 and 317. Biblioteca de D. Manuel II, 195 (2nd part only).

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