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Auction 238 - 122

MANUSCRITO MUSICAL.- [GRADUAL].- Commune Sanctor[um].- Século XVIII/XIX.- 1 vol. (292 p.), notação musical; 83 cm.- E.
Musical manuscript (choir book or plainchant) stamped on parchment. Large volume, containing 196 leaves, paginated from 1 to 292, with square musical notation in black, on a red tetragram (staff with 4 lines), clefs and script. It includes chants for the liturgy of the feasts of non-pontifical saints (Saints' Calendar or Common of Saints), intended for the periods of preparation for Easter (Septuagesima) and Easter itself. The title (on the verso of the first page) is framed by a large illuminated frame in shades of pink; the first initial on the following page (S) is also illuminated, with polychrome decoration (23x17 cm); all other initials are framed in stamped blue frames. At the end, it includes a song for the church's own feast day, under the invocation of Saint John of Capistrano, a 15th-century Franciscan friar, canonized in 1690 by Pope Alexander VIII. Judging by the script of the last staff, on the last page (back note), there should be missing pages at the end. Solid contemporary binding, full of sheepskin, with darkened patina and blind decoration on the covers and spine, featuring the following metal applications on each cover: four scalloped and pierced corners, four round flaps; two complete clasps, with leather loops (one clasp partially loose); in the centre of both covers, a large metal super-libros with the coat of arms of the Order of Saint Francis, surmounted by a royal crown. The document is generally well-preserved, although it shows some handling and stains, especially on the lower outer corner (from handling), as is common. The manuscript is undated, but considering the stylistic and technical aspects (stamps), it may have been produced at the end of the 18th century or in the early years of the following century. Of uncertain origin, the volume does not appear to be related to the production of musical manuscripts from Mafra, but rather to two choral books existing in the National Library, respectively with the reference numbers L.C. 344 and 345.

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Auction 238 - 242

XIMÉNEZ, Fray Andrés, O.S.H.- Descricion del Real Monasterio de San Lorenzo del Escorial: su magnifico templo, panteon, y palacio: compendiada de la descripcion antigua, y exonerada con nuevas listosas láminas de su planta y montéa...- En Madrid: En la Imprenta de Antonio Marin, 1764.- [20], 452 p.: il.; 29 cm.- E.
Friar Andrés Ximénez (1617-1692), a Hieronymite monk, was a professor and chair of vespers at the Royal Monastery of San Lorenzo de El Escorial. This edition boasts impressive graphic design and is illustrated with the following 18 intaglio engravings (unnumbered): 1 - General view (p. 1); 2 - Facade (p. 22); 3 - Section (p. 30); 4 - Staircase plan (p. 68); 5 - Staircase section (p. 69); 6 - Monument to the ancestors of Queen Maria Ana of Neuburg (p. 204); 7 - 1st general section (p. 214); 8 - 2nd general section (p. 222); 9 - Large choir stall (p. 226); 10 - High altar (p. 296); 11 - Portrait of Philip IV; 12 - Entrance to the Pantheon (p. 330); 13 - Staircase of the Pantheon (p. 334); 14 - Plan of the Pantheon (p. 336); 15 - Altar of the Pantheon (p. 342); 16 - Altar of the Pantheon (p. 346); 17 - Candelabrum (p. 347); 18 - General plan (p. 414). With the exception of plates 4, 11 and 12, which are full-page, all the others are fold-out. The engravings are, in general, very clean and well folded; only the engravings of the monument (6), the high altar (10) and the candelabrum (17) show some restorations, especially in the folds, visible only on the verso; engravings 13 to 17 with minor restorations on the inner margin; small wormholes on the upper margin of leaves Ss3 to Vv3 (8 leaves), marginally affecting four engravings. Otherwise, a very clean and complete copy. Contemporary binding, entirely of flexible parchment, missing the ties and with browning on the first double endpaper. Palau, 376974.

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Auction 238 - 260

SILVA OEIRENSE, Francisco António da (ed. lit., imp. & grav.).- [Collecção de retratos de varões esclarecidos].- Lisboa: Francisco António da Silva Oeirense [e outros], 1822.- [1] f. gravada, [32] retratos; 49 x 33 cm. Junto com: FONTES, Constantino de.- [Alegorias à Constituição de 1822].- [Lisboa: s.n., 1822].- 6 gravuras; 33 x 49 cm.- E.
This volume consists of two complete series of intaglio engravings. The first series comprises an engraved sheet with a dedication to King D. João VI (from which the title above was taken, as the title page was never printed) and 32 portraits representing the following "enlightened" figures of the Liberal Revolution (the numbering follows the order of the volume): 1 - Manuel Fernades Tomás; 2 - José Ferreira Borges; 3 - José da Silva Carvalho; 4 - João Ferreira Viana; 5 - Duarte Lessa; 6 - José Maria Lopes Carneiro; 7 - José Gonçalves dos Santos Silva; 8 - José Pereira de Meneses; 9 - Francisco Gomes da Silva; 10 - João da Cunha Soto Maior; 11 - José de Melo e Castro de Abreu; 12 - José Maria Xavier de Araújo; 13 - Bernardo Correia de Castro e Sepúlveda; 14 - Sebastião Drago de Brito Cabreira; 15 - Domingos António Gil de Figueiredo Sarmento; 16 - José Pereira da Silva Leite de Berredo; 17 - José de Sousa Pimentel de Faria; 18 - José Pedro Cardoso e Silva; 19 - Tibúrcio Joaquim Barreto Feio; 20 - António Lobo Teixeira de Barros; 21 - António da Silveira Pinto da Fonseca; 22 - António Barreto Pinto Feio; 23 - Manuel Vaz Pinto Guedes; 24 - Gaspar Teixeira de Magalhães e Lacerda; 25 - Luís Pedro de Andrade Brederode; 26 - Francisco de Sousa Cirne de Madureira; 27 - Pedro Leite Pereira de Melo; 28 - Francisco José de Barros Lima; 29 - José Joaquim Ferreira de Moura; 30 - Fr. Francisco de São Luís; 31 - Roque Ribeiro de Abranches Castelo Branco; 32 - José Manuel de Sousa Ferreira e Castro. The authorship and date were taken from the signature of the first portrait. The second series consists of six engravings with allegories to the Constitution of the Monarchy (in panorama format), by the engraver Constantino de Fontes: 33 - Dedicated to the exalted Sovereignty of the Lusitanian Courts; 34 - Event of August 24, 1820; 35 - Event of September 15, 1821; 36 - October 1, 1820; 37 - Event of January 21, 1821; 38 - Portuguese Constitution. Very clean set, preserving all the engravings very clean and with large margins. Contemporary half leather binding with slight wear on the paper cover. Ernesto Soares, 1415 (Men) & 1006 (Allegories).

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Auction 238 - 268

BERNARDO DE CLARAVAL, Santo.- D. BERNARDI | Doctoris Mellitissimi, | AC PRIMA ABBATIS | Claræuallensis oenobij, | OPERA QVATENVS in HVNC | VSQVE DIEM EXTARE NOSCVNTVR, | Omnia accuuratissima recognitione & so- | leri collatione ad fidem exempla- | rium permultæ antiquitatis re- | stituta natiuæ integritati. | Quæ nostra hæc editio præter superiores nunc primum typis | euulgat, nosse licebit ex catalogo & appendice, [gravura xilográfica].- Venetiis: Ad Signvm Spei. M D XLIX. [1549].- [58], 451, [4] f.; 21 cm.- E. Junto com: -----.- OPVSCVLA | QVAEDAM, ET SER | MONES D. BERNARDI | CLARAEVALLENSIS COE- | NOBII ABBATIS PRIMI, | quæ nec in Lugdunensibus, neque in Pa- | risiensibus impressionibus | reperiuntur, NVPERRIME AVTEM IN QVODAM | uetustissimo exemplari inuenta, suis operibus | nunc per me excusis addita, quo- | rium indicem sequens in- | dicabit pagella. [gravura xilográfica].- Ad Signvm Spei, M. D. L. [1550].- 45, [3] f.; 21 cm. Junto com: -----.- D. BERNARDI | DOCTORIS MELLITISSIMI | AC PRIMI ABBATIS CLA- | RAEVALLENSIS COENOBII | OPERVM | TOMVS SECVNDVS. | QVATENVS IN HVNC VSQVE | DIEM EXTARE NOSCVNTVR, | omnia accuratissima recognitione & solerti col- | latione ad fidem exemplarium per- | mutæ antiquitatis nati- | uæ integritati | restituta. | [gravura xilográfica].- Venetiis: Ad Signvm Spei, 1549.- 485 f.; 21 cm.- E
16th century Venetian edition of some of the most important texts by one of the great Doctors of the Church. Saint Bernard (1090-1153), reformer of the Cistercian Order, canonized in 1174 by Pope Alexander III, founded in 1115 the Abbey of Claraval, mother house of around 350 monasteries spread across Europe, including Alcobaça. It contains ancient manuscripts, in both volumes: Cœnobijj Costensis vsu[m] vero obtinet Frater Antonii Rebellus; Br. Diogo de Brandão. Title page of the first volume with some stains and wormholes, without affecting the text. Contemporarry bindings (?), full sheepskin, with blind decoration on the covers and new (reconstructed) spines, retaining the four metal clasps (a loose strap). Carmine edges with the abbreviated author's name inscribed in large capitals on the front edge.

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Auction 238 - 277

[SILVA, D. Jorge da].- TRACTADO EM | QVE SE CONTEM A PAI- | xam de Christo, segundo p Texto dos | Euangelistas muy deuotamente mora- | lizada: & outra Doctrina muito deuo- | ta & proueitosa, q[ue] mostra os proueitos | de se juntar hu[m]a Alma cõ Xpo & duas | Elegias à bem auenturada Magdalena | [gravura xilográfica] | Cõ hu[m] aparelho pera cõfessar & cõmu[m]- | gar: & hum virtuoso Exercicio, | & a Doctrina Christam. Com licença do Sancto Officio.- Euora: em casa de Martim de Burgos, impressor da Vniversidade, 1589.- [8], clxix, [6] f.; 13 cm.- E.
Devotional work attributed by the bibliography to D. Jorge da Silva (†1578), nobleman and State councilor who accompanied King D. Sebastião I on the tragic journey to Africa. In the preface (2nd and 3rd preliminary pages), the printer Martim de Burgos, states: “This liuro, deuoto Lector, I print in this city Deuora meu Pay que[que] Deos aja, per duas veses & toda a copia dos liuros se dispe[n]deo muito depressa...”, so this is the third edition, the first two having been printed by André de Burgos, also in Évora, in 1571(?) and 1574 respectively (Anselmo, 379 & 409). Edition mainly composed in round characters, with some epigraphs and current titles in Gothic. Cropped copy, with slight browning and occasional minor stains; title page a little shorter; carmine edges, with excess ink sometimes staining some margins. 20th century full sheepskin binding. Inocêncio, IV, p. 175 and VI, p. 333. Anselmo, 428. Biblioteca Nacional (16th Century), 853. Bibliotec de D. Manuel II, not mentioned.

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